SHOPSTYLER JOURNAL
Chanel Métiers d'art 2023/2024
Chanel Métiers d'art 2023/2024 Chanel may have its feet firmly planted in Paris, but its runways and collections are truly global - in feel and inspiration. So a few times a year, usually for pre-collections, the luxury fashion house takes its entire production on the road. The Cruise collection took us to Los…
Chanel Métiers d'art 2023/2024
Chanel may have its feet firmly planted in Paris, but its runways and collections are truly global - in feel and inspiration. So a few times a year, usually for pre-collections, the luxury fashion house takes its entire production on the road. The Cruise collection took us to Los Angeles, and now Métiers d'art is taking us to Manchester.

The show itself took place on Thursday evening on Thomas Street, which was closed and covered with a glass roof to protect guests from the rainy weather.
Virginie Viard wanted to remind us of the love story between the fashion house and the UK. She reminded us that Coco fell in love with the brand's iconic tweed on the Island.

Models took to the sidewalk in technical tweed suits and ensembles with mini hemlines and Bermuda-era shorts.

Overcoat dresses were also beautifully crafted, as were waistcoats in Shetland wool embellished with Chanel chains. Viard brought back the babydoll dresses and slip dresses of the 1960s with open lace and intricate embroidery, some dressed up with strings of pearls and others with football club logo scarves. There was something for every woman of every age.
Chanel may have its feet firmly planted in Paris, but its runways and collections are truly global - in feel and inspiration. So a few times a year, usually for pre-collections, the luxury fashion house takes its entire production on the road. The Cruise collection took us to Los Angeles, and now Métiers d'art is taking us to Manchester.

The show itself took place on Thursday evening on Thomas Street, which was closed and covered with a glass roof to protect guests from the rainy weather.
Virginie Viard wanted to remind us of the love story between the fashion house and the UK. She reminded us that Coco fell in love with the brand's iconic tweed on the Island.

Models took to the sidewalk in technical tweed suits and ensembles with mini hemlines and Bermuda-era shorts.

Overcoat dresses were also beautifully crafted, as were waistcoats in Shetland wool embellished with Chanel chains. Viard brought back the babydoll dresses and slip dresses of the 1960s with open lace and intricate embroidery, some dressed up with strings of pearls and others with football club logo scarves. There was something for every woman of every age.